He clearly put his own safety above Linlin's orders. He believed that his mother would use her powers to drain the life out of him as punishment for letting her prisoners escape, causing him to lie about the subject. Big Mom seems to trust him, as she assigned him to force the information of Lola's whereabouts out of Nami. Like most of her children, Opera is loyal to his mother but he also fears her. He possesses a distinct way of laughing: "Fafafa" ( ファファファ, Fafafa ?), which is based on the suffix he adds at the end of his sentences. He has a habit of adding the suffix "-fa" ( ファ, "-fa" ?) to the end of his sentences. Opera is cowardly and cared for his self-preservation, as he made up stories about Luffy's and Nami's death in order to avoid severe punishment for failing to guard them. He also has a tendency to treat serious matters with a nonchalant attitude, so long as they do not affect him, as shown when he prepared to torture Nami with only a plain expression on his face. He cares for his family as well as the well-being of Sweet City, as he attempted to stop Big Mom from attacking Moscato during her rampage and was shocked to see the defeated Cracker. Opera seems to be analytical, as he deduced that Luffy must be nearby upon finding the defeated Cracker. His legs are extremely small in comparison to the rest of his body. He also wears dotted wristlets and a dotted belt which has the same substance dripping from it. He wears a bow tie on his beard, as well as a cape with a high collar. His head and arms are covered in a semi-liquid substance, which compose a very large beard. Opera is an enormous man with an extremely thick body.
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